Sunday, August 10, 2008

Social Commentary from Elmore Leonard - part 1

The following excerpts come from Split Images, a fictional crime novel by one of my favorite authors, Elmore Leonard, a master or the genre. In the two passages below (excerpted from pages 55-56 and pages 195-196) one of the story's protagonists, a free-lance writer, offers her assessment of rich people -- clearly Republicans. The book was first published in 1981. These passages conjured up images of Rush Limbaugh, Phil Gramm, Prescott Bush and George W. Bush.


"Rich people don't think. They assume things. They assume everyone thinks the way they do."

"You just said they don't think."

"Don't pick. You know what I mean," Angela said. "Then, when I'd finally get him to sit down and talk, he'd want to play around."

"Make the moves on you."

"No, not like that. The only time--when I met him the first thing he said to me. . . . I'm standing there, I've told him who I am, acting very legitimate and proper . . . he says, 'You know what I'd like to do, Angie?' And that's one thing I can't stand, I don't know why, being called Angie. He says, very straight, 'I'd like to tie you up and fuck your socks off.' "

Bryan said, "No hugs and kisses first, huh?"

"He was being cute. He says things with a straight face, then grins to show he's kidding. You're supposed to think he's a little off the wall but basically cute."

...

They backtracked, crossed Southern Boulevard on the beach road and Angela pointed to the Bath and Tennis Club. "From here up to Worth Avenue, about a mile or so, is the very in section, between the Bath and Tennis Club and the Everglades Club. If you know how much money you have you don't belong here.... The architecture is all either pseudo-Spanish or Mediterranean Mausoleum."

"I don't think you should write the book on rich people," Bryan said.

"Why, because I have a point of view?"

Bryan nodded toward a colossal, ornate structure with a slim minaret pointing to heaven. "What's that?"

"It's somebody's house," Angela said. "Shelter."

Bryan said, "I'd hate to have to vacuum and dust the place."

...

"You could be a tour guide."

"Yeah, stop the bus and everybody gets out and throws tomatoes."

Bryan said, "You don't sound upset, but you really are. I don't get it."

"I can point out a few hotbeds of fascism too," Angela said. "They're not all fascists, but when Jack Kennedy was shot some of the Old Guard actually threw parties."

"Who told you that"?

"A very reliable guy I know here. He writes for the local paper, the Post."

"Well, that was a while ago."

"Nixon was here last month, greeted like a savior . . . That's Worth Avenue, where all the expensive stores are."

"Where the rich people shop?"

"No, where the tourists shop. Rich people don't spend their money, they invest it in real estate. That's the in thing to talk about at the clubs, real estate."

Bryan said, "Why do rich people make you mad?"

"They don't," Angela said. "I just feel that the way they live, their entire life-style, is irrelevant, it has nothing to do with reality."

"Because they have money and you don't?"

"No. Because their whole goddamn life is based on real estate. Owning things."

"You said that's all your dad talks about. Real estate. Is he rich?"

"No, he wears a string tie and a cowboy hat with his gold-frame glasses, drives a Cadillac, lives in Country Club Estates with a guard, a guard, Bryan, at the entrance and tries hard to sound rich. But he doesn't know how. That's what's wrong with them," Angela said, with her cool edge. "The rich people make their life look so goddamn good we all bust our ass trying to get the same thing."

Bryan said, "If the poor people suddenly became rich would they do it any different?"

"Probably not."

"Are rich people fun to watch?"

"Not especially."

"Fun to talk to? Interview?"

"Not at all. They don't say anything. They don't know anything that's going on outside their own walled-in life. They're complete out of touch with reality."